These works on paper combine pigments, oil paint, wax, and other drawing mediums. Being easy to fold and deform, paper is a convenient way to explore painting and sculpture in the context of antistructure; patterns of thought as shifting terrains and colour fields as landscape.
Questions:
How can landscapes in flux be visualised?
What are the ontological aspects of abstract landscapes and imagined spaces?
How can internal landscapes be expressed in abstract colour fields?
What is the relationship between thinking, making, and the environment?