These works on paper combine pigments, oil paint, wax, and other drawing mediums. Being easy to fold and deform, paper is a convenient way to explore painting and sculpture in the context of antistructure; patterns of thought as shifting terrains and colour fields as landscape.
Questions arising from these works:
How can landscapes in flux be visualised?
What are the ontological aspects of abstract landscapes and imagined spaces, and where do they cross over?
How might the imagined topologies of landscape be visualised?
How can internal landscapes be expressed as abstract colour fields?