These works on paper combine pigments, oil paint, wax, and other drawing mediums. Being easy to fold and deform, paper is a convenient way to explore painting and sculpture in the context of antistructure; patterns of thought as shifting terrains and colour fields as landscape.
Questions:
How can landscapes in flux be visualised?
What are the ontological aspects of abstract landscapes and imagined spaces?
How can internal landscapes be expressed as abstract colour fields?
What is a relic from a living landscape?