In rural zones there are dens, eerie interventions by unknown visitors as spaces that exist somewhere between the personal and the public.
A den signifies a space between an internal and external world, a shroud containing the contradiction of being but not being seen, and a membrane. This den is an interior shelter inside an interior space as an expanded format painting. It explores dual environments as factors that point towards a paradox of co-reliance. The surrounding objects describe a rhythmic deconstruction or chain of mutability as an expanded object.
In front of a window in an adjecent room hangs a digital print of a painting that was made inside the paper den.
Like Shipwreck, this work is a space as antistructure - a state of limbo.