Paper den membrane

​In rural zones there are dens, eerie interventions by unknown visitors as spaces that exist somewhere between the personal and the public.

A den signifies a space between an internal and external world, a shroud containing the contradiction of being but not being seen, and a membrane. This den is a shelter as an expanded format painting. It explores connections between the individual and the environment, and these dual environments as factors of the paradox of co-reliance.

The surrounding objects describe a rhythmic deconstruction as a chain of mutability; musings on causality, antistructure, and the inside versus the outside as expanded painting. In front of a window in an adjecent room hangs a digital print of a painting that was made inside the paper den.